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                                  A R A  L L E L  M E D I
                                  A   –   Barbara
                                            Doser 
                                            |  Hofstetter
                                            Kurt
                                    tense_intense    >  back   
                         
 E X H I B I T I O N   T O U R
 
 
 main hall 1 
                            main hall 2 
                            main hall 3
 salette 
                            project room    showcases
                              entrance area
 
 
 Parallel
                                                          Media -
                                                          Barbara Doser
                                                          | Hofstetter
                                                          Kurt
 dream’sdreams,
                                                          2011/2023, see the video
                                                          dream´sdreams
 Video sound
                                                          installation,
                                                          music via
                                                          wireless
                                                          headphones
 
 The walk-in
                                                          audiovisual
                                                          installation
                                                          dream’sdreams
                                                          seduces
                                                          viewers into
                                                          an abstract
                                                          immersive
                                                          realm.
 Video feedback
                                                          of moving
                                                          images, a
                                                          flood of
                                                          flowing line
                                                          and wave
                                                          forms, are
                                                          projected onto
                                                          a
                                                          semitransparent
                                                          fabric
                                                          suspended from
                                                          the ceiling.
                                                          Synaesthetic
                                                          tones composed
                                                          of
                                                          Möbius-Sounds
                                                          accompany
                                                          viewers into
                                                          an audiovisual
                                                          staging of
                                                          dream
                                                          sequences. The
                                                          enormous
                                                          spectrum of
                                                          interfering
                                                          images and
                                                          sound
                                                          frequencies
                                                          makes the
                                                          undifferentiated
                                                          syn- and
                                                          asynchrony
                                                          into an
                                                          immersive
                                                          strategy.
 
 
   
 
 
  
 
 
  
 
 
  
 
 
 Barbara
                                                          Doser
 Codes, 2023
 Plastic
                                                          objects in
                                                          object frames,
                                                          100 x 75 cm
 
 Three-dimensional
                                                          lines exuding
                                                          dynamism and
                                                          rhythm
                                                          represent the
                                                          encoded
                                                          emotions
                                                          involved in
                                                          their
                                                          creation.
                                                          Their density
                                                          takes over the
                                                          surface,
                                                          filling it
                                                          with
                                                          information.
                                                          These lines
                                                          function as
                                                          codes, giving
                                                          rise to
                                                          intricate
                                                          structures.
                                                          Like a
                                                          pattern, they
                                                          divide the
                                                          surface into
                                                          lyrical,
                                                          dramatic, and
                                                          epic
                                                          topographies.
 They become
                                                          three-dimensional
                                                          objects
                                                          suspended in
                                                          frames.
 
 
  
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