Since
1991 the artistic work of Hofstetter Kurt has focussed on parallelism and
circulation, sky, light and time resulting in media art installations like
“Im Augenblick” (Vienna, 1992), internet sculptures like “The Complementary
Light Pendulum” (in progress since 1994) and “moving moments@pendel” (Vienna
1996) leading to the project Sunpendulum. In 1997 Hofstetter Kurt released
the concept of the Sunpendulum project. With public and private support
he was able to start with the realisation in 1998. From its nature the
realisation is based on interdisciplinary cooperation in Arts and Science
as well as on the assistance of a whole host of people and close collaboration
with partners around the earth.
The
steps towards realisation have been accompanied by a PARALLEL MEDIA project
– a parallel process of presentation, documentation and reflection by Barbara
Doser and Hofstetter Kurt. Parallel artistic works reflect central topics
like parallelism and circulation, light and shade and time. Along with
the media of Video, CD-Rom, Photography, Print, Mixed-techniques it has
been the InterNet in particular which has been playing a key role in mediation
– www.sunpendulum.at
INPLUSION --- realized August 2006
In
1998 the Institute of Computer Graphics and Algorithms at the Vienna University
of Technology, directed by Prof. Werner Purgathofer, was able to start
with the software development for transmitting moving pictures from the
12 time zones via the InterNet, supervised by A.o. Prof. Michael Gervautz
and processed by Stephan Mantler. The research process of all the necessary
realisation-parameters has shown that all moving pictures of the sky have
a very high coherence. Colour and form change very slowly. Thus, a high
data compressionrate in the digital image process makes a transmission
of moving pictures via the InterNet possible and, with a slight delay,
the continous and synchronous broadcasting of the pictures from the 12
time zones to the 12 screens can be guaranteed.
In
1999 the first Sunpendulum Time-Eye was installed on Maui/Hawaii. With
this first research collaboration a software evaluation process was begun,
coordinated by Christoph Traxler. It has come about that the main realisation
item of INPLUSION is to install the Time-Eyes for permanent use in close
collaboration with Universities or Research Centers in the respective time
zones, which can easily provide all the necessary facilities in a very
solid way. In 1999 the Time-Eyes of Bermuda, Granada, in 2000 the Time-Eyes
of Cairo, New Orleans, Ensenada, in 2001 the Time-Eye of the Azores, in
2002 the Time-Eye of Dubai, in 2003 the Time-Eye of Hong Kong, in 2004
the Time-Eye of Kolkata, in 2005 the Time-Eye of Tokyo and finally in 2006 the Time-Eye of the Marshall Islands were installed.
With
support of the Austrian Mission in the respective time zones and on the
occasion of a Time-Eye‘s installation, the collaboration partner has organized
a big press event to communicate the participation and cooperation in the
international Sunpendulum project. It has been a strong public relation
communicating the Sunpendulum idea and concept around the earth. In 2002
the first public access to the Sunpendulum Time-Eyes was opened via the
WWW-client of the parallel project ‘facing time eyes’ . http://www.sunpendulum.at/fte/ In 2004 the WWW-client of the 'complementary light pendula' project was released as a Sunpendulum parallel project using still images online from the Time-Eyes. http://www.sunpendulum.at/clp/
EXPLOSION --- ongoing realisation
In
1998 the realisation was started to design a pavilion in public space for
the circle of the 12 Time-Screens, where the continuous circulation of
day and night can be strongly experienced in parallels at the same time.
In
close cooperation with the architect Reinhard Haslwanter a special pavilion
– pavilion #1 – was designed following the Sunpendulum vision of
Hofstetter Kurt.
In
2001regarding the realisation process in the respective time zones Hofstetter
Kurt had to adjust his vision towards new realisation items and created
the design for pavilion #2. Both pavilion designs fulfill the basic premise
– having the pavilion open in all directions with no direct sunbeam reaching
the inner circle of the screens – and being easily constructed, conforming
to the principle of the "Golden Section" in a very fascinating way.
In
2001 during the artistic work on the basic geometry of pavilion #2 a previously
unkown construction of the Golden Section using the simplest means was
discovered and resulted in a scientific paper publication http://forumgeom.fau.edu/FG2002volume2/FG200208index.html
In
2002 a model of pavilion #2 (scale 1:20) was created for international
presentations and exhibitions and in 2003 the earlier idea of a temporary
pavilion has been redefined in concrete terms as a permanent station -
"the Sunpendulum Station Phi" |